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Author: Ernest Goodman

Law Offices of Ernest Goodman > Articles posted by Ernest Goodman (Page 3)

The Doctrine of Work for Hire is Often Misunderstood

Today, we're going to talk about the doctrine of work for hire in copyright law. Often, there can be situations where you think you own a copyright because the work was made for hire for you or your production company. But, in fact, contrary to what the contract states, you might own nothing. Let's explore the caveats and ways to solve this problem. Many think that just because they have a contract with artists and have paid for the work, they own the copyrights. Let's say you own a film production company and you've hired a screenwriter to write a screenplay....

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Self-Defense and Excessive Force: New York and California

The caliber of a firearm can play a significant role in determining whether a self-defense case is justified. Courts, prosecutors, and juries often consider the lethality of the weapon used when evaluating whether the level of force applied was reasonable or excessive in relation to the threat faced by the defendant. Firearms with larger calibers, such as .45 ACP, .357 Magnum, or .44 Magnum, are widely recognized as more powerful and lethal, delivering greater stopping power and more extensive tissue damage. Because of this, the use of such calibers in a self-defense situation may raise additional legal scrutiny. Prosecutors could argue...

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The Legal Implications of Using OSINT (Open Source Intelligence)

I usually create posts based on questions I receive, and today’s topic is about legal implications of using OSINT (Open Source Intelligence). Open Source Intelligence (OSINT) has become a powerful tool for businesses, law enforcement, journalists, and private individuals. With the vast amount of publicly available data online, OSINT enables users to gather intelligence from various sources such as social media, public records, and news reports. However, despite its usefulness, there are significant legal implications that anyone using OSINT must consider....

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Applying for an H-1B visa from inside and outside the U.S.

U.S. visas are generally divided into two main categories: Immigrant Visas – These lead to permanent residence (green card). Examples include family-based green card petitions, EB-1, EB-2 NIW, and EB-5 investor visas. Non-Immigrant Visas – These are temporary and meant for specific purposes like tourism, study, or work. Examples include B-1/B-2 (tourism/business), F-1 (students), and H-1B (temporary workers)....

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Duty to Communicate: A Matter of Respect, Not Just Ethics

He told me he had been doing this for 35 years, and countless clients have told him, "You are the only attorney who calls back the same day." That really stuck with me. I realized that something as simple as timely communication is often overlooked in the legal profession. From that moment on, I adopted the same practice: if a client calls or emails me, I respond the same day—even if it’s just to acknowledge their message and let them know when I’ll get back with a full answer. And if I ever reach a point where I can't keep up...

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Life Story Purchase Agreements: A Comparative Analysis of New York and California

For entertainment lawyers, producers, and screenwriters operating in either New York or California, understanding these differences is crucial for structuring life story purchase agreements that minimize legal risks while ensuring enforceability. In New York, contracts tend to be more straightforward but may require additional safeguards against claims of false endorsement or defamation. Legal practitioners should ensure that any agreement includes comprehensive release clauses, indemnification provisions, and waivers of claims to prevent disputes over portrayals in films or television adaptations. In California, the negotiation process is often more complex due to its stronger right of publicity laws and posthumous protections. Life story purchase...

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How to get financing for your independent film: Insights from lawyer Ernest Goodman

Unfortunately, if your film isn't produced by Netflix, it's likely to be buried in their content library, and the same applies to Amazon. These platforms typically don't actively market films unless they're labeled as Amazon or Netflix originals. While there are distribution companies that can place your film on Netflix, significant earnings are not guaranteed. From my experience with numerous films, Netflix is often where they go to die....

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Essential Elements of an Investor Contract in Filmmaking

Securing funding for a film is one of the most critical steps in production, and a well-structured Investor Agreement ensures transparency, protects both parties, and sets clear financial expectations. Whether you’re a filmmaker seeking funding or an investor looking for a solid return, understanding how these agreements work is key....

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